E-Squared Magazine
Art + Science | Culture
sci-art-workshop

Thursday, October 3rd, 2024

Why Merge Art and Science? The Power of Transdisciplinary Learning

I had the incredible honor of leading an art-science workshop through the Rhode Island NSF EPSCoR program at the University of Rhode Island’s Graduate School of Oceanography. This experience allowed me to combine my passions for art, science, and research to inspire others in a creative yet educational way.

At the workshop, we explored the intersection of scientific research and artistic expression. Participants engaged hands-on with both disciplines—learning scientific concepts and then expressing those ideas through their own artwork. Together, we discussed how visual art can make complex scientific topics more accessible, including topics like climate change, ecosystems, and environmental conservation. We also focused on the critical role plants play in ameliorating climate change. Specifically, we examined the anatomy of lilies in the lab, observed cross-sections under the microscope, and painted them while discussing the carbon sequestering abilities of plants and their importance in combating climate change.

🌱 Why merge art with science? This workshop emphasized the importance of transdisciplinary learning. Art not only enhances our understanding of scientific data but also creates a powerful medium to communicate these concepts to the public. Whether through painting, sketching, or multimedia art, participants discovered new ways to engage with scientific topics and share knowledge.

Leading this workshop was particularly meaningful because it allowed me to combine my research in science illustration with real-world environmental issues. The workshop highlighted how the convergence of creativity and empirical data can be a catalyst for scientific innovation and community awareness.

I am grateful to the NSF EPSCoR program for funding initiatives like this mine that promote cross-disciplinary collaboration and inspire the next generation of scientists and artists alike.

 

NSF-workshop-students

Monday, September 30th, 2024

Bread & Puppet: Art as a Vehicle for Activism

This weekend I had the privilege of traveling to see Bread & Puppet, one of the oldest theatre groups in the country. The group’s name is inspired by their distinctive practice of sharing freshly baked bread with aïoli with their audience to foster community and by their core belief that art should be as essential to life as bread. 🍞

The group has been active since the 1960s, and their plays cover a wide range of topics, with a focus on social, political, and economic issues. They are currently touring: The Beginning After the End of Humanity Circus. 🎪

Director Peter Schumann describes the show as featuring, “tigers teaching the Congress of Cowards how to jump over billionaires […] the proverbial sheep of the system refusing to be sheep and committing revolution against the system. 👯 🐅🐅🐅💰

Bread & Puppet operates under what they call the “Why Cheap Art” manifesto. This principle states that art should be accessible to the public, not “a privilege of museums & the rich.” For instance, even though I had bought tickets and had them ready to scan on my phone, they said: “You don’t have to show them to us – everything is on the honor system, and you are welcome regardless, we turn no one away for lack of funds.” 🎟️

What do I love most about the group? Their use of Art as Activism. Often focusing on the role of art as a vehicle for change, Bread & Puppet integrate themes around creative freedom, grassroots resistance, and the power of collective imagination. I also love the aesthetics of their artwork – it is very edgy, and dare I say, unsettling at times – and distinctively homemade.

I last saw the group in New England in 2015. They are just now halfway through their 2024 tour. I thoroughly enjoyed the show, shared bread, and bought some amazing artwork!

Consider supporting them and seeing this one-of-a-kind and profoundly moving theatre company! 🤹𓍯𓂃🃏

https://breadandpuppet.org/tour-schedule

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Sunday, September 22nd, 2024

Brand Collabs Aren’t Bold—They’re Boring: The Art World Did It First

Brands embracing “unexpected” collaborations may be the hot trend in today’s corporate world, but let’s be real: this isn’t groundbreaking—it’s repackaging. Not sure what I’m talking about? Have you seen Velveeta nail polish? McDonald’s Crocs? According to Adweek, bizarre brand pairings are on the rise as companies scramble to capture consumer attention. These offbeat collaborations—think Dunkin’-themed Scrub Daddy sponges—aren’t just about getting noticed…they’re marketing gold, increasing visibility, driving sales, and tapping into younger, social media-savvy audiences eager for the next viral sensation.

Brands are banking on the weird to win over new customers in a crowded marketplace. It’s marketing, wrapped in a shiny bow of “innovation.” For those of us in the art world, it’s like watching the kid who shows up late to the party and acts like they’re the host. Artists have been collaborating with unexpected partners for centuries. From surrealist collaborations with psychoanalysts to Andy Warhol’s Coke bottles, artists live on the edge of the unexpected.

Now, when a fashion house teams up with a gaming company or a fast-food chain collabs with a luxury brand, we’re told it’s “disruptive.” But let’s not fool ourselves—it’s capitalism. This wave of “unconventional partnerships” in branding is more about selling to new markets than actual artistic vision. It’s a business strategy cloaked as cultural dialogue. You’re not breaking the mold; you’re cashing in on a trend that artists have been using to provoke thought and question reality long before it had a hashtag.

In art, collaboration has always been about merging perspectives, challenging boundaries, and engaging in uncomfortable, necessary conversations. Brands, however, often reduce these complex synergies to commodifiable spectacles, pre-packaged for mass consumption. So, let’s call it what it is: creative exploitation. Brands aren’t doing anything new—they’re just catching up, and while they’re patting themselves on the back for their “boldness,” they’re missing the point (and you might be too…).

Sure, fashion x tech sounds sexy, but are they saying anything new? No. They’re saying, “Buy more.” Artists, on the other hand, have long seen collaboration as a way to question power, disrupt the status quo, and inspire social change. When Dali collaborated with Disney, he wasn’t looking for likes—he was fusing dream and reality, tapping into a deeper, surreal human experience. When Duchamp slapped a mustache on the Mona Lisa, he wasn’t looking for sales metrics—he was obliterating what people thought art should be.

Brands, you’re not bold. You’re profit-driven. So, let’s not confuse art with marketing strategies. True artistic collaboration disrupts. Yours just disrupts shopping carts and your bottom line.

Monday, September 2nd, 2024

PAINT LOUIS: Breaking Down Barriers

This past weekend marked one of my favorite events of the year—Paint Louis! 

Paint Louis is one of the largest graffiti gatherings in the world. This year, artists traveled from as far as Germany, Canada, and Australia to leave their mark on the St. Louis flood wall. The event boasts the Guinness World Record for the “longest mural in the world,” stretching nearly two miles of vibrant, collaborative artwork.

Nearly 500 artists painted the wall this year, celebrating not just their personal creativity but also the broader culture of street art. Street art is more than just an aesthetic though—it’s a form of public expression that breaks down barriers, making art accessible to everyone. It adds life to urban spaces, turning concrete and brick into open canvases for social commentary, personal stories, and community pride.

The beauty of Paint Louis lies in the diversity it showcases, bringing together artists from different cultures, styles, and backgrounds to share a visual dialogue that enriches the local community. My favorite stretch of the wall this year had to be the panels created by the all-women crew, Few and Far Women (peep the yellow sections!). Their work stands out not just for its striking colors but for the powerful message of female representation in a historically male-dominated art form.

This event embodies the spirit of street art—bold, collaborative, and alive with energy—and as always, I look forward to what next year’s artists have in store!

Tuesday, August 6th, 2024

On Automation & Filling Gaps

The Great Depression marked a time of widespread hysteria about how automation would lead to mass unemployment. Uhh, sound similar to the headlines today?

In the 1930s, American newspapers started publishing about robots and automation. Mass hysteria spread when papers like the Ogden Standard Examiner spread mis/disinformation about a robot named Alpha shooting his inventor with the sensationalist headline: “Shot by the Monster of His Own Creation.” According to the paper, the two-ton robot developed a “mind of its own” and wounded the inventor who feared it would “get him” someday.

Even the 1934 issue of Time magazine described Alpha as a “monster” to be feared:

“Last week Alpha, the robot, made its first public appearance in the U. S.. One of the most ingenious automatons ever contrived by man, a grim and gleaming monster 6 ft. 4 in. tall, the robot was brought to Manhattan by its owner-inventor-impresario, Professor Harry May of London, and installed on the fifth floor of R. H. Macy & Co.’s department store. Encased from head to foot in chromium-plated steel armor, Alpha sat on a specially constructed dais with its cumbrous feet securely bolted to the floor, stared impassively over the knot of newshawks and store officials waiting for the first demonstration. The creature had a great sullen slit of a mouth, vast protuberant eyes, shaggy curls of rolled metal. In one mailed fist Alpha clutched a revolver. Once it fired its pistol without warning, blasting the skin off the professor’s arm from wrist to elbow. Another time it lowered its arm unexpectedly, struck an assistant on the shoulder, bruised him so badly that he was hospitalized.”

Of course, the series of events did not quite play out that way, and a more accurate story was published in (very) few papers about the pistol having accidentally discharged, simply burning the inventor’s hand. As wildly exaggerated stories spread, so did mass hysteria. Clearly, the bold new world of automation was to be feared – robots of our own creation were going to destroy us all.

When it came to idea of robots taking our jobs, economist John Maynard Keynes coined the term “technological unemployment.” According to his definition it is: “…unemployment due to our discovery of means of economizing the use of labor outrunning the pace at which we can find new uses for labor” (Keynes, 1933).

So, we cycle back to the idea of automation putting millions out of work. But I want to stretch your neurons today and take this one step further. While automation may in fact be leading to mass unemployment in some sectors, every day, organizations fill the gaps with caulk of a special sort – of meaningless jobs. Yes, these jobs – titles, and all – are completely made up.

They are filled with useless administrative tasks, wasteful meetings, presentations, and so on. For instance, in the 2016-2017 U.S. State of Enterprise Work Report, the amount of time office workers had to spend doing their primary job duties decreased in 2016, from 46% to 39%, and when asked what gets in the way of work the most, workers said wasteful meetings (59%) and excessive emails (43%) are the biggest offenders.

It would seem then, to the contrary, it is not mechanization or automation that will harm society, it is instead a “category of jobs” harming society and moreover, are psychologically destructive to the individual. If one accounts for this category of jobs, then they did in fact have it right in the 30s – around half of the population, give or take, is “without work.” In reality, they, of course, hold jobs, but their jobs are absolutely unnecessary. A lot of people in these jobs are even aware that their positions are completely useless and if their position were to one day disappear, no one would even notice and society would not be impacted.

Friday, July 12th, 2024

AI Revolution: Promise or Peril for Our Data-Driven Future?

Artificial intelligence holds the promise of revolutionizing industries, solving complex problems, and enhancing human capabilities through automation and data-driven decision-making, however, its widespread adoption raises myriad concerns.

As AI continues to evolve, fostering interdisciplinary collaboration and ethical frameworks will be essential to harness its full potential while mitigating risks and ensuring it benefits society as a whole.

🤖 What industry do you believe will undergo the most transformative changes due to AI in the next decade?

🔍 How can we ensure that AI technologies are developed and deployed ethically and responsibly?

🚀 What are some innovative AI applications you have come across recently that have the potential to address pressing global challenges?

💼 As AI continues to advance, what skills do you think will be most valuable for professionals to thrive in the AI-driven economy?

⚕️ How do you see AI shaping the future of healthcare, and what opportunities and challenges do you anticipate in this space?

🌍 What are your thoughts on the role of AI in addressing environmental sustainability and combating climate change?

Thursday, June 6th, 2024

How can art help us see science differently?

How can art help us see science differently? 🔬 x 🎨

When we think about science, we often picture data, equations, and research papers. But art has the unique ability to bring these concepts to life, making them more accessible and engaging.

In a recent project, I led an engaging art-science workshop designed for all ages, where participants learned about the fascinating world of bacteria in, on, and around their bodies. Through creative activities, they explored these microorganisms and made unique art pieces to take home, blending education with hands-on artistic expression.

By turning science into a collaborative artistic experience, we can foster a deeper appreciation for the hidden wonders of our world.

What are your thoughts on using art to communicate scientific ideas? How do you think it can change our perspective?

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Wednesday, May 15th, 2024

Fellow Academics: Advice for Selecting a Graduate Mentor…

🛎 🛎 🛎 Quality Over Quantity: Selecting an Advisor Wisely 🛎 🛎 🛎

If you were not aware, I am now home…back from Georgia. I made all As in my first year as a PhD student, but my funding stream was switched and was a far cry from what I was told I would be doing, so I decided to pack it up and come home.

If something doesn’t serve you, don’t hesitate to walk away. Personally, I’m all about building an authentic identity and research body that reflects who you truly are. Always be aware of the machine that others have built. And remember, you’re not just a tool for getting work done for someone else – you’re a human being and YOUR agenda matters too.

The academic world often emphasizes the importance of publications as a measure of success and productivity. Faculty members, particularly those in research-intensive institutions, face significant pressure to publish their work in prestigious journals. This “publish or perish” culture can lead to various strategies for increasing publication output, one of which involves leveraging the efforts of students.

Eventually, I plan to share an expanded TIPS & TRICKS for selecting a graduate mentor/advisor. For now, I offer a good starting place with TIP #1––

TIP #1: When selecting an advisor, it is beneficial to research their publication history (e.g., Google Scholar). Pay attention to how frequently they are listed as first or leading author, compared to being listed later on. A high number of first-author publications can indicate they are actively contributing to and leading research projects. In contrast, if they are frequently listed further down the author list, this may suggest a more student-centric research model, where the advisor prioritizes student development, helping them to build a strong publication record as a springboard for future success.

⚠️ HOWEVER, BE WARNED ⚠️ there is a balance to be struck! There are so many advisors out there who rely heavily on students to produce research to bolster their own publication record/reputation. While your advisor’s h-index may seem important, consider looking into more pertinent aspects about them like:

🎓 How many publications do they have in total?

🎓 How many publications are they the first and/or leading author on?

🎓 How many publications are they a co-author on? What percentage of their total publication record does this account for?

🎓 What is the quality/impact of the work being published/presented? Do they publish in high-impact journals or conferences, and how consistent is this?

🎓 What is the citation count for their publications?

🎓 Has anything changed in their publication record?

🎓 What is the feedback from their current or former students regarding their mentoring style and involvement in research?

Strategically evaluating your potential advisor’s publication record in these ways and more can provide valuable insight into their mentoring style, level of involvement, and overall impact they are having in their field.

While the involvement of students in research can be mutually beneficial, there are ethical considerations that must be addressed such as avoiding exploitation, for instance. There is a fine line between leveraging student contributions and exploiting them. Advisors must be careful not to overload students with work that detracts from their educational goals or well-being. Student academic progress and personal development should always be top priority.

Saturday, April 6th, 2024

Feeding the Imagination

Last month, I had the incredible opportunity to discuss the intersection of art and food systems communication in Katie Sanders, Ph.D.. class at North Carolina State University, and it was truly an enriching experience for all! 🎨🍽️

During my presentation titled, “Feeding the Imagination: Exploring the Fusion of Art & Communication in Food Systems,” I delved into the often overlooked yet indispensable role of art and creativity in enhancing messages by making information more accessible, fostering emotional connections, storytelling, celebrating cultural diversity, and inspiring meaningful action towards creating a more sustainable and equitable food future.

It’s easy to get lost in data and statistics, but art offers a unique avenue to engage audiences on a deeper emotional and cultural level. Throughout my presentation, I emphasized how art possesses the profound ability to catalyze change and transformation in our world.

Here are two quotes shared by her students following my lecture:

“The way of using art pieces as an example on how we can integrate multiple ways of knowing into science communication was something new to me. It made me appreciate art even more now since I saw how art can be used in a new way.”

“While there are several other theories and course concepts that I can highlight, I feel strongly about acknowledging the guest lecture that was done on Arts Based Communication. The way we discussed art and communication was really interesting, and it made me realize there are more messages portrayed through art than I thought.”

Thank you, Dr. Sanders, for creating a space where creativity and innovation thrive, and for inspiring others to think outside the box. Here’s to embracing the power of art to transform our world! 🖌️🌟

📒 See some preview slides from my presentation below ⬇

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Wednesday, March 20th, 2024

a2ru Emerging Creatives Summit at RIT

Collaboration is crucial in today’s interconnected world as it fosters the exchange of diverse perspectives and expertise, often leading to innovative solutions that individuals working in isolation may not achieve alone. This past week/end (Mar. 14 -17), I had the privilege of participating in the a2ru Emerging Creatives Student Summit at the Rochester Institute of Technology (RIT) and collaborating with people from around the world. This year’s summit was centered on the topic of PLAY: The Impact on How We Create and Relate to the World.

When we arrived at RIT, we were divided into groups to solve a “problem” within the sub-theme of play. My group was tasked with the sub-theme of New Ideas/Creativity. What did I––more importantly we––learn? The real challenges involved in collaborating on an interdisciplinary team. I have worked on interdisciplinary teams before but never quite in this way. My team consisted of one person from each: machine learning, art education, human-centered digital media design, communication, and new media art.

As a group, we had to work through many challenges, like being stuck in a more nebulous, philosophical state (all of us); being unable to decide on any one idea to move forward with; starting any sort of process to work towards an outcome (i.e., getting stuck time and time again); having our respective disciplinary languages and processes align; forgetting about “play” altogether; struggling to bring ourselves back to that center; working through conflict but coming out on the other end just fine; and so on. One surprising discovery that we all had in alignment was realizing that we do not really permit ourselves to “play” in the sense that children or even other adults do. That we define play differently and we kind of lost play in the midst of our process. A trip to the National Museum of Play helped us to reflect more deeply about play and reincorporate it back into our work.

[L-R] E, Supratim, Emily, Nelson, & Pin; The Museum of Play

Overall, in a relatively short period of time, we all became very close as we navigated challenges of interdisciplinary work collectively. And we came up with such a fantastic final project to present, which we initially prioritized the outcome as the pinnacle of our project. As we collaborated, however, a profound shift occurred for us all––the outcome became the least important part and our focus shifted from the final product to the collaborative journey itself, and this is where our understanding of each other and synergy truly blossomed. We are people first, and acknowledging our commonalities and our differences is crucial for impactful research. At any one point in time, it would be safe to say our group arrived at success and failure, failure and success, and anywhere in between. If you truly want to learn how a process works, you must try, fail, and try again. It is a very messy process, and it is certainly not easy, but to arrive at higher order solutions, we need to be able to work on interdisciplinary teams.

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The Spectrum of Failure & Success [drawing by E. Dustman]

Over the course of the summit, we moved from a model of cooperation to a model of cooperation and collaboration, but it took some time to get there. Together, cooperation and collaboration translate to much more meaningful work and build a strong foundation for successful teamwork and problem-solving in all aspects of life.

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Model of Cooperation (L) vs. Cooperation & Collaboration (R) [drawing by E. Dustman]

Focusing on the process over the outcome
cultivated a culture of learning and growth and though difficult a times, promoted adaptability and flexibility.
Ultimately, investing in robust processes lays the foundation for sustainable success and longevity, shaping resilient teams capable of thriving in an ever-changing world.

All in all, I am deeply honored and truly grateful for the opportunity to have been able to participate in this inspiring, stimulating, and fun weekend as we worked through the real-world challenges of collaborating on interdisciplinary teams. I honestly think it has informed each one of us in new and different ways––the languages we speak, how we translate, how our processes are different yet similar, what inclusivity really means, and so much more. It was a growth opportunity for everyone, and I know that each one of us plans to carry our learnings forward in all that we do.

**I am immensely thankful for the opportunity to have attended this event, made possible by the support of the a2RU Scholar Award and the UGA Arts Collaborative: http://arts-collab.uga.edu. This support played a crucial role in enabling my participation, and I am truly grateful.**

 

Author: Emily A. Dustman
Founder & Director of E-Squared Magazine

Category Archives: Uncategorized

Why Merge Art and Science? The Power of Transdisciplinary Learning

I had the incredible honor of leading an art-science workshop through the Rhode Island NSF EPSCoR program at the University of Rhode Island’s Graduate School of Oceanography. This experience allowed me to combine my passions for art, science, and research to inspire others in a creative yet educational way. At the workshop, we explored the […]

Bread & Puppet: Art as a Vehicle for Activism

This weekend I had the privilege of traveling to see Bread & Puppet, one of the oldest theatre groups in the country. The group’s name is inspired by their distinctive practice of sharing freshly baked bread with aïoli with their audience to foster community and by their core belief that art should be as essential […]

Brand Collabs Aren’t Bold—They’re Boring: The Art World Did It First

Brands embracing “unexpected” collaborations may be the hot trend in today’s corporate world, but let’s be real: this isn’t groundbreaking—it’s repackaging. Not sure what I’m talking about? Have you seen Velveeta nail polish? McDonald’s Crocs? According to Adweek, bizarre brand pairings are on the rise as companies scramble to capture consumer attention. These offbeat collaborations—think Dunkin’-themed Scrub […]

PAINT LOUIS: Breaking Down Barriers

This past weekend marked one of my favorite events of the year—Paint Louis!  Paint Louis is one of the largest graffiti gatherings in the world. This year, artists traveled from as far as Germany, Canada, and Australia to leave their mark on the St. Louis flood wall. The event boasts the Guinness World Record for the “longest […]

On Automation & Filling Gaps

The Great Depression marked a time of widespread hysteria about how automation would lead to mass unemployment. Uhh, sound similar to the headlines today? In the 1930s, American newspapers started publishing about robots and automation. Mass hysteria spread when papers like the Ogden Standard Examiner spread mis/disinformation about a robot named Alpha shooting his inventor […]

AI Revolution: Promise or Peril for Our Data-Driven Future?

Artificial intelligence holds the promise of revolutionizing industries, solving complex problems, and enhancing human capabilities through automation and data-driven decision-making, however, its widespread adoption raises myriad concerns. As AI continues to evolve, fostering interdisciplinary collaboration and ethical frameworks will be essential to harness its full potential while mitigating risks and ensuring it benefits society as […]

How can art help us see science differently?

How can art help us see science differently? 🔬 x 🎨 When we think about science, we often picture data, equations, and research papers. But art has the unique ability to bring these concepts to life, making them more accessible and engaging. In a recent project, I led an engaging art-science workshop designed for all […]

Fellow Academics: Advice for Selecting a Graduate Mentor…

🛎 🛎 🛎 Quality Over Quantity: Selecting an Advisor Wisely 🛎 🛎 🛎 If you were not aware, I am now home…back from Georgia. I made all As in my first year as a PhD student, but my funding stream was switched and was a far cry from what I was told I would be […]

Feeding the Imagination

Last month, I had the incredible opportunity to discuss the intersection of art and food systems communication in Katie Sanders, Ph.D.. class at North Carolina State University, and it was truly an enriching experience for all! 🎨🍽️ During my presentation titled, “Feeding the Imagination: Exploring the Fusion of Art & Communication in Food Systems,” I […]

a2ru Emerging Creatives Summit at RIT

Collaboration is crucial in today’s interconnected world as it fosters the exchange of diverse perspectives and expertise, often leading to innovative solutions that individuals working in isolation may not achieve alone. This past week/end (Mar. 14 -17), I had the privilege of participating in the a2ru Emerging Creatives Student Summit at the Rochester Institute of Technology (RIT) and […]